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What mouzeclick adds inside Premiere Pro and After Effects: a Tool wheel in both, one-press Unnest, recordings lined up in three steps, a Toolbar worth docking and every installed effect by name.
No knocks, only the gaps. Each row quotes what Premiere lacks or does its own way, then shows what mouzeclick adds.
A fill with no black bars is something Premiere itself does not offer
.
Fill frame in one press, beside Fit frame, Fill width, Fill height and Punch in / out.
Premiere has no layer that shows but does not export
: a guide on the timeline goes out with the video unless it is switched off or removed.
Safe frame & guides for 65 presets, on a track of their own; your footage is never moved or changed. Show / Hide is one press, and the tab warns you while they show.
Captions go on Premiere's own caption track, editable in Premiere
. mouzeclick keeps that track: it is still there.
Styled on the video: 289 looks in 27 families, drawn in every font on your computer plus mouzeclick's caption fonts, Hindi ones too, about 60 of them new, timed to the words. Premiere needs none of the fonts
.
Premiere lets scripts colour only a clip's source
, so a clip on the timeline is coloured through Premiere's own Edit › Label command, which needs its shortcuts.
Set them up for me: with Premiere closed, mouzeclick writes all sixteen label shortcuts into Premiere's own shortcut file, backup kept.
Recordings line up with Premiere's own Clip › Synchronize, by audio, timecode or clip markers
. mouzeclick leaves that step to Premiere.
Spread first puts each recording on its own tracks where it is in time, adding tracks when needed. After Clip › Synchronize, Close synced trims the overhangs and closes the gap.
Unnesting the way you would by hand
: open the nest, copy everything, go back and paste it over the nest on the right tracks.
One press, with Premiere's own copy and paste, so speed changes, transitions, labels and time remapping come back exactly. Picture only leaves the sound out.
Built on Premiere, not around it: Unnest uses its copy and paste, labels its Edit › Label, and recordings line up with its own Clip › Synchronize. Undo mouzeclick edit takes back the last Unnest, Spread or Close in one press.
It opens the nest, copies everything, goes back and pastes it over the nest on the right tracks. It is Premiere's own copy and paste, so speed changes, transitions, labels and time remapping come back exactly. On the Tool wheel, in the Studio and on the Toolbar.
Unnest fromTool wheelToolbarStudioMouse buttons
Nothing is lost on the way. The nested sequence stays in the project and is never touched.
The nest waits, whole, past the end of your sequence while the paste lands.
Every clip, Graphic included, has to be found at its track and time.
The nest goes only once every clip is in place. If Premiere refuses a step half-way, Unnest puts everything back as it was.
One press puts the nest back where it was, with its own effects. It changes nothing if you edited since.
Cameras and a separate recorder, all of the same moment, stacked on one track. Spread in mouzeclick puts each on its own tracks, Premiere's own Clip › Synchronize lines them up, then Close synced in mouzeclick trims the overhangs and closes the gap.
Select the camera clips and the recorder's sound. Each goes onto its own tracks where it is in time, with its trims, effects and linked sound. Tracks are added when needed; nothing is covered.
Premiere's own command, not a mouzeclick button: it lines the spread recordings up by audio, timecode or clip markers. mouzeclick gets them ready before and tidies up after.
Trims the overhangs, then moves only the synced clips left into the empty time before them.
One press takes back the last Spread or Close synced. It checks the timeline first and changes nothing if you edited since. If Premiere refuses a step half-way, Spread puts everything back as it was.
Spread and Close synced are on the Tool wheel, in Studio › Timeline and on the Toolbar. Ctrl+Z in Premiere still works, a step at a time.
Window › Extensions › mouzeclick Toolbar. Every tool has its name and what it does, in groups, and it fits any dock in Premiere.
The Tool wheel's Search effects tool opens a search window inside Premiere over every installed effect and transition, audio included. Exact and word-start matches come first, your recent ones open the list.
Shift + Enter applies it and pins it here.
A demo list of Premiere Pro's built-in effects. The real window searches every installed effect and transition, audio included. Search effects works in After Effects too, with its effect categories.
114 tools in 13 groups, four layouts to start from, and one panel bridge that serves Premiere Pro and After Effects at once.
Ctrl + Ztakes back Null + Parent in one step
Hold F10 over your comp and the groups open round the ring. Move onto one, flick to a tool and let go. A note by the pointer says what it did.
Updated in 0.54mousecut: an editor’s timeline inside After Effects. G closes the gaps, Alt+Left/Right nudges the selected clips a frame (Shift: ten), and each edit is one undo step. Window › Extensions › mousecut.
Results show After Effects’ effect categories. Shift + Enter pins an effect to your wheel.
The mouzeclick panel runs in Premiere Pro and After Effects at once, and each app gets only its own commands. mouzeclick refreshes the bridge files itself on start.
After an update, restart After Effects once, then open Window › Extensions › mouzeclick.
Unnest, Spread and Close synced, the Studio, the Toolbar, effect search, the After Effects Tool wheel and mousecut are all included, was $40, now $25 a month. Billed in US dollars. Windows 10 and 11, and macOS 12 or newer (auto-captions are Windows only for now).
