Every extension, mapped out.

• Properties: Lock, Split axes, Controls, and Select same property on every layer
• Layers and time: Rename with numbering, Stagger, Reverse order, Extend start, Time remap
• Tidy: shy and lock layers, merge duplicate solids, merge matching shape groups
• Make: a 3D backdrop with a curved floor, and a line with a length control
• Search finds a tool; clicking a dimmed tile says what to select first
• Its expressions work in any language of After Effects

It needs Installed from the mouzeclick app, which also sends the panel its latest script while it runs. Most tools need an open composition and a selection; Merge solids works on the whole project.

• Drag the clip in the preview to place the look you are editing
• Time it at the clip’s start, at its end or across the whole clip
• Apply to up to 40 selected clips at once; each is timed to its own length
• Match a neighbouring clip’s mouzestate move, and bake again after a trim
• Remove puts the selected clips back to how they looked before
• Space plays the preview; Enter applies

It needs The mouzeclick extensions installed from the mouzeclick app, a sequence open in Premiere Pro, and video clips selected on the timeline.

• Groups, colours, icons and search; right-click to change, duplicate, move or delete
• Export and import your buttons as a file to share or back up
• Starts with six example buttons, including Wiggle, Loop, Smooth 60 and Pre-compose
• Presets can make a solid, shape or text layer when nothing is selected

It needs Installed from the mouzeclick app; your buttons are saved in its folder, so updates keep them. Expression, preset and ease buttons need an open composition with properties, layers or keyframes selected; menu commands use After Effects’ English menu text or the command number.

• Each edit is one After Effects undo step; a failed edit leaves the comp unchanged
• Insert or overwrite Project panel footage at the playhead on the targeted track
• Lift or extract between In and Out points, and ripple delete
• Snaps to cuts, the playhead, In and Out points, and markers
• Unlink picture and sound into two layers; link them again while they line up
• Waveforms and thumbnails on clips, track locks, clip groups, copy and paste, markers

It needs After Effects with a composition open. mouzeclick running on the same computer to draw clip waveforms and thumbnails. In After Effects before 2023, layers that use track mattes are edited in After Effects’ own timeline.

• Sliders for temperature, tint, exposure, contrast, highlights, shadows, whites, blacks and saturation
• Six built-in looks with a strength slider; save your own looks, copy and paste grades
• Load a .cube LUT to preview it and mix it into the grade
• Set a reference shot, then match selected clips to its colour and contrast
• Before and after split, false colour exposure zones, and a skin guide
• New in 0.54: Studio’s liquid glass, and it follows Studio’s Look

It needs A sequence open in Premiere Pro, or a composition open in After Effects, with the playhead over a clip. mouzeclick installed on the same computer: grades and saved looks are kept in its folder.

• Depth shapes, turbulence and a focus point shape the colour field
• Glow, diffusion and grain as After Effects effects you can open and animate
• Live mode updates After Effects each time you let go of a control
• Copy, paste and random looks; each apply or removal is one undo step
• Works on text and shape layers, and on footage, solids and precomps
• New in 0.54: Studio’s liquid glass, and it follows Studio’s Look

It needs After Effects with a composition open and a text or shape layer selected (footage, solid and precomp layers also work). mouzeclick installed on the same computer. Gradient pictures are saved next to the project once it is saved, otherwise in mouzeclick’s folder.

• Per pane: fill, fit or stretch, zoom from 25 to 400 %, rotation and flips
• Layout keys change the split over time; one click adds a key at every cut
• Built with Premiere’s own Crop and Motion; only the bottom copy keeps its sound, so the audio is not doubled
• Add, rename, reorder or remove panes, with an optional 0 to 80 px gap
• New in 0.54: Studio’s liquid glass, and it follows Studio’s Look

It needs The mouzeclick extensions installed from the mouzeclick app, and the sequence to split open in Premiere Pro.

• Contrails up high, wingtip vortices low down, landing lights, wingtip strobes and a jet’s afterburner
• Camera moves between places: flight, glide or cut, with easing and a steady orbit
• Place search: every town of 15,000 people or more, every country, or coordinates
• Six map styles with terrain: Night, Daylight, Relief, Ink, Neon and Blueprint
• Per route: when it leaves, how long it takes, pace, arc, size and line; routes chain one after another
• Output at comp size, 1080p, 4K, vertical or square, over space, clear or a colour, in one undo step

It needs mouzeclick running with an activated licence, and an internet connection for the map data.

• Split to layers: each part becomes its own layer, where it was, anchored on its own middle
• A report lists what was converted and what was not
• Alt-click takes the animation off; retime it later with the controls in Effect Controls
• Preview it beside the SVG as a browser draws it, on a light or dark background

• Pinned layers stay inside the safe area; add a safe-area guide layer if you want one
• Keep my changes protects a layer you edited in a size from Update sizes
• Name comps and files with {comp}, {ratio}, {w} and {h}
• Add every size to the Render Queue with your render settings and output module

It needs The finished comp open in After Effects.

• All 15: Push, Zoom through, Whip, Spin, Circle reveal, Shape wipe, Split, Blinds, Pixelate, Blur dissolve, Light flash, Glitch, Ink reveal, Iris and Swipe card
• A preview of the picked transition plays in the panel
• Arrow keys move between transitions; Enter applies the picked one
• Remove takes mouzeflow’s transitions off and touches nothing else

• Also Random hold, Value from marker, Blink, Auto-fade, Snap to grid, Clamp, Keep stroke width and Parent-free scale
• Bake to keyframes over the work area: one key a frame, or Fewer keys within a tolerance
• Alt-click Apply replaces expressions of your own too
• Search, and favourites to show only the ones you use

• Keep bins as they are with a lock, and nothing moves out of them
• Duplicates: move copies to a bin, or merge them with Premiere’s own Consolidate Duplicates
• Offline: relink from a folder, and the folders inside it
• Rename: find and replace, patterns, prefix, suffix and numbering, with a preview
• Label rules, and a project report you can copy as text

It needs A project open in Premiere Pro.

• Ranges: duration markers, or marker to marker, become a sequence each or one together
• Subclips from duration markers, in a bin named mouzemark subclips
• Batch: recolour, rename with numbers, shift, snap to the nearest cut, remove duplicates
• Copy clip markers to the sequence, and sequence markers to a clip
• Undo takes back mouzemark’s last change

It needs A sequence open in Premiere Pro.

• Smooth eases (Soft, Glide, Snappy, Build up, Overshoot, Bounce), toggles, buttons, progress bars and loaders
• Five palettes, Indigo, Ocean, Sunset, Mint and Graphite, or your own colours
• Search finds a tool; select layers in After Effects, then pick one

• Lines to layers: one layer per line, each starting a little later, and every line keeps its timing
• Remove styles takes off only what mouzetype made

• Focus on a layer, rack focus, and handheld drift
• Look at and Frame layer aim the camera at a layer
• Options hold how long, how far and which lens, for every tool

It needs A composition open in After Effects.

• Recolour the selected icons, or give each the next palette colour in turn
• Icon grid: columns, gap, and a stagger when animated
• Places icons correctly with a camera, light or 3D layer selected
• Alt-click Animate selected takes the animation off

• All 12: also Ripple rings, Pulse dot, Speed lines and Emphasis shake
• Colour sets such as Sun, Mint, Grape and Ocean, or your own
• Arrow keys move between accents; Enter adds the picked one
• Take the shake off keeps the layer’s own expressions

• Blur and redact with a blur, a pixelate or a frosted cover
• Spotlight with darkness, softness and corners
• Intro and outro title cards that fade in and out
• Keys on every frame, so Premiere plays the curve exactly, or four Bezier keys a zoom to change by hand
• Remove takes off everything mouzezoom added to the clip

It needs A screen recording selected on the timeline in Premiere Pro.

• All 11: also Shake hit, Stretch, Glitch jump and Fade to black
• A preview plays in the panel, or steps through frame by frame
• Remove takes off only what mouzetrans added

It needs A sequence open in Premiere Pro.

• Set the tempo by tapping along, halve or double it, or go back to Auto
• Follow the hits moves each beat onto a drum hit within 60 ms, for music played live
• Pulse: a scale bump on every beat, every 2 or each bar start
• Snap cuts rolls each cut onto its nearest beat
• Only mouzebeat’s own markers and keys are replaced or removed; yours stay

It needs The music clip selected on the timeline in Premiere Pro.