mouzegrade: every feature, listed

Brings the frame under the playhead into the panel, without mouzegrade's own grade, and restores a clip's earlier mouzegrade grade.

Steps the grade back one change inside the panel; Apply writes the result.

Redoes the last grade change undone in the panel.

Puts the grade back to no grade; Apply then switches mouzegrade's effect off on the clip.

Writes the grade into Lumetri Color on the grabbed clip, and other selected clips if it's among them; then checks the render.

Dragging up or down brightens or darkens blacks, shadows, exposure, highlights or whites, chosen by the brightness under the pointer.

Clicking something white or grey sets the white balance so that spot comes out neutral.

Clicking skin shifts the midtone balance so its hue lands on the vectorscope skin line.

Clicking something that should be black sets each channel's black point from it.

Shows the original left of a draggable line and the grade right of it; holding Q shows the whole original.

Paints the preview in eight exposure zones, from Crushed to Clipped, with a legend.

Paints skin-like pixels green on the skin line, yellow or magenta when they lean off it; the rest greyed.

Hovering over the picture shows that spot's RGB values and luma before and after the grade.

Shows a luma waveform of the graded frame, 0 to 100.

Shows red, green and blue waveforms of the graded frame side by side.

Shows hue and saturation of the graded frame with the skin line and 75% colour targets.

Shows how many pixels sit at each level, per red, green and blue channel.

Zooms the vectorscope to 1×, 2× or 4×.

Removes the film look from the grade.

Adds a film look with a soft tone curve, warm highlights and slightly lower saturation.

Adds a gentle film curve with slightly cool shadows and reduced saturation.

Adds teal shadows, orange highlights, a contrast curve and a little extra saturation.

Adds a contrasty curve with strongly reduced saturation.

Lifts blacks and lowers whites for a faded, matte film look with lower saturation.

Turns the picture black and white with a film tone curve.

Applies a look you saved (tone and look), keeping this shot's white balance; its × deletes it.

Sets how strongly the chosen film look shows, 0 to 100%; double-click resets to 100%.

Copies the whole current grade to paste onto another clip.

Pastes the copied grade into the panel, ready to Apply on the grabbed clip.

Saves the current tone and look, without white balance, under a name as one of your looks.

Shifts the picture cooler (blue) or warmer (orange), -100 to 100.

Shifts the picture toward green or magenta, -100 to 100.

Brightens or darkens the picture in stops, -4 to +4.

Raises or lowers contrast around mid grey, -100 to 100.

Brightens or darkens the upper midtones and highlights, -100 to 100.

Brightens or darkens the shadows and lower midtones, -100 to 100.

Brightens or darkens the brightest part of the picture, -100 to 100.

Brightens or darkens the darkest part of the picture, -100 to 100.

Sets colour saturation from 0 (grey) to 200; 100 leaves it unchanged.

Sets all tone and colour sliders back to zero, keeping the White, Skin and Black picks.

Loads a .cube LUT from disk and adds it on top of the grade.

Sets how much of the loaded LUT shows, 0 to 100%; double-click resets to 100%.

Takes the loaded LUT out of the grade.

Remembers the current graded frame's colour and contrast as the target other shots should match.

Matches each selected clip's colour and contrast to the reference, adds the reference's look, LUT and saturation, and applies it.

Stops matching after the clip being matched now.

Shown when the grade went in as Levels; switches back to writing the grade as a Lumetri LUT.