mouzecam: every feature, listed

Adds a camera hung from a 3D control null with Orbit, Tilt, Push, Zoom and focus controls, or takes over a camera's view.

Adds an expression-driven, loopable drift and turn shake to the rig camera; each press rolls a new seed.

Turns on depth of field and keeps the selected 3D layer sharp, with blur strength from the chosen f-stop.

Keys the focus moving from the first selected 3D layer to the second over the rack time, from the playhead.

Keys Cam Push from the playhead so the subject grows by the push amount over the move length, eased.

Keys the camera backing away from the subject from the playhead, shrinking it by the push factor, eased.

Keys Cam Orbit so the camera circles the subject to the left by the orbit degrees, still looking at it.

Keys Cam Orbit so the camera circles the subject to the right by the orbit degrees, still looking at it.

Keys the control null's Position upward by the crane distance in pixels, the camera keeping its angle.

Keys the control null's Position downward by the crane distance in pixels, the camera keeping its angle.

Keys the rig sliding to the camera's own left by the truck distance in pixels.

Keys the rig sliding to the camera's own right by the truck distance in pixels.

Keys Cam Vertigo so the camera backs away while the lens zooms in, subject size kept; Alt-click reverses it.

Keys a fast eased pan by the whip angle, or onto a selected 3D layer, and turns motion blur on.

Adds overshoot and settle keys at the end of the rig move that starts or ends at the playhead.

Keys the camera turning to the selected 3D layer, or the rig gliding onto it, depending on the Look at option.

Keys the rig's position and push so the selected 3D layers fill the frame with padding, keeping orbit and tilt.

Makes selected layers 3D and spaces them in depth by stacking order, scaled so the frame looks unchanged.

Returns selected 3D layers to 2D, with position and scale matching how the camera currently draws them.

Over 3.2 seconds the camera arrives on the current framing from farther, lower and to the side, then settles.

A 6-second slow 14-degree orbit with slight tilt and push, plus a gentle handheld drift on the rig.

A 6-second gentle push in, bringing the camera a fifth nearer the subject from the playhead.

Over 5 seconds the camera orbits 40 degrees, rising slightly and closing in, then settles.

Over 2.6 seconds the camera drops from above, looking down, onto the current framing, then settles.